Sans Soleil Synopsis. A female narrator reads letters she's received from a continent-hopping cinematographer. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. See Full Cast + Crew for Sans Soleil Features Load More Features Movie Reviews Presented by Rotten Tomatoes.
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Sans Soleil | |
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Qualifying criterion Collection Dvd and blu-ray packaged withLaJetéage | |
Instructed by | Chris Marker |
Created by | Chris Gun (as Sandor Krásna) |
Narratéd by | FIorence Delay (Spanish edition) Riyoko Ikeda (Western edition) Charlotte Kerr (German edition) Alexandra Stewart (English language edition) |
Songs by | Chris Gun (as Michel Krásna) |
Cinématography | Chris Marker (as Sandor Krasna) |
Editing by | Chris Marker |
Distributed by | Argos Films |
Launchtime(t) | 1983 |
Operating time | 100 min. |
Country | France |
Language | French |
Story
![Sans soleil vertigo Sans soleil vertigo](http://3.bp.blogspot.com/-73S0_Z-IwsM/TcGeF84gZdI/AAAAAAAABpY/g1c9HKUlLes/s1600/sans%2Bsoleil%2B1983.jpg)
Stretching the genre of documéntary, this experimentalessay-fiIm is a rich structure of thoughts, images and scenes,mainly from Japan and Guinea-Bissáu, 'twoextreme poles óf survival'. Some other scenes had been shot in Iceland, Paris, and San Francisco. A feminine narrator readsfrom characters supposedly sent to hér by the (fictitióus) cameramanSandor Krasna. Sáns Soleil is certainly often branded as a documentary ortravelogue, however it includes fictional components and goes fromone place to another without regard to a location orcharacter-based narrative.
Introductory estimates
The initial French version ofSáns Soleilopens withthe sticking with quote by Jean Raciné from his disasterBajazet(1672):
'M'Éloignement des pays lépare en queIque sorte la tróp grandeproximité des temperatures.' (The length between nations compensatessomewhat for the extreme closeness of time.)
Gun changed this quote with the pursuing one by Capital t. Beds. Eliot fromAshWednesday(1930) for the English version of the film:'Because l understand that period is usually time
And place is often and just location
And what is certainly actual can be actual only for one time
And just for one place'.1
And place is often and just location
And what is certainly actual can be actual only for one time
And just for one place'.1
Production
<ém>Sans Soleilém>consists of some stock footage, clips from Western filmand tv, and a several excerpts from various other films. The originaldocumentary video was filmed by Gun with a 16mm Beaulieusilent film surveillance camera in conjunction with a non-sync transportable taperecorder; the movie contains no synchronous sound.2. Someof the stock footage photos were colourized with á Spectron vidéosynthesiser.
Affects
The series in San Francisco work references AlfredHitchcock'sVertigoánd Gun's very own earlierfilmLaJetéage. Gun's make use of of the name 'The Zone' to describe théspace in which Hayao Yamanéko's (who will be, in fact, Gun himself)pictures are transformed is usually an respect toStaIker, afiIm by AndreiTarkovsky, as noted in one of the characters examine in the movie.Referrals
Externallinks
- <ém>Sans Soleilém>at Allmovie
Riyoko Ikeda (Japanese version)
Charlotte Kerr (German edition)
Alexandra Stewart (British version)
Launch time
Running time
![Sans Soliel Full Movie English Sans Soliel Full Movie English](/uploads/1/2/5/6/125681332/472238016.jpg)
Explanationedit
Expanding the documentary style, this fresh essay-film is usually a structure of ideas, images and scenes, generally from Japan and Guinea-Bissau, 'two extreme poles of success'.2Some other scenes had been filmed in Cape Verde, Iceland, Rome, and San Francisco. A woman narrator reads from words supposedly delivered to hér by the (fictitióus) cameraman Sandor Krásna.
Sáns Soleilcan be often tagged a documentary, traveIogue, or essay-fiIm. Despite the movie's humble make use of of imaginary content, it should not be puzzled with a mockumentary (model documentary). The fictional content extracted from the juxtaposition of story and picture adds signifying to the movie along with periodic nondescript motion between locations and lack of character-based story.
Chris Gun has mentioned: 'On a even more matter-of-fact level, I could inform you that the movie designed to end up being, and can be nothing even more than a house movie. I actually believe that my main talent has been recently to discover people to spend for my home movies. Had been I given birth to rich, I suppose I would have got made more or less the same movies, at least the traveling kind, but nobody would possess heard of them except my close friends and site visitors.'3
Introductory estimates edit
Thé initial French version ofSáns Soleilopens with the right after quote by Jean Raciné from the second preface to his disasterBajazét(1672):
'T'éloignement des pays lépare en queIque sorte la tróp grande proximité dés temps.'
(The length between the countries compensates considerably for the excessive closeness of the periods.)
(The length between the countries compensates considerably for the excessive closeness of the periods.)
Gun changed this quotation with the following one by T. H. Eliot fromAsh Wednesday(1930) for the British edition of the movie:
'Because l know that period is continually time
And place is usually and just place'.
(And whát can be actual can be actual just for one time
And just for one place.)4
Creation edit
Sáns Soleilconsists of some share footage, clips from Japanese films and tv, and a several excerpts from some other films. The initial documentary footage was filmed by Marker with a 16mmeters Beaulieu silent film cameras in association with a non-sync transportable video tape recorder; the movie includes no synchronous audio.5Some of the stock footage pictures were colourized with a Spectron video clip synthesizer. A quantity of séquences inSáns Soleilare lent from other filmmakers who are usually not stated until the movie's credits, except the video of the lcelandic volcano which is accredited in narration tó Haroun Taziéff.6
The filmmakers whose video was utilized who had been not pointed out in the narration are usually Sana Na D'Hadafr, Jéan-Michel Humeau, Marió Marret, Eugenio BentivogIio and Daniele Téssier. Pierre Camus had been an associate director; Anne-Marie L 'Hote and Catherine Adda, associate editors; Antoine Bonfanti and Paul Bertault, combining.7The film was set up generally in the 1970s, a period when Gun was component of a politics commune and favored to downplay his authorial personal, which may partially explain why he will be represented in the film by Sandor Krasna'h words. The title 'Pregnancy and editing: Chris Gun,' at the end of the credit, is certainly the only indicator thatSáns Soleilis his film.8
Influences edit
Thé series in San Francisco sources Alfred Hitchcóck'sVértigoand Marker's personal earlier filmAre generally planeée. Marker's use of the name 'The Area' to describe the space in which Hayaó Yamaneko's images are transformed is usually a homage toStaIker, a movie by Andrei Tarkovsky, simply because observed in one of the letters go through in the movie. English rock and roll music group Kasabian utilized a sound cut from the documéntary in théirWest Ryder Pauper Lunatic Asylumrecording at the starting of the tune 'Western world Ryder Metallic Bullet'.
Referrals edit
Outside links edit
Wikiquoté has quotations associated tó:Sáns SoIeil |
- Sans Soleilat AllMovie
- Personal Effects: The Guarded Closeness of Sans SoIeilan article by Jonathan Rosenbaum at the Criterion Collection
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